Hisayasu Satō

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.

Filmography (26 Appearances)

In The Sea of Trees

Lord, Have Mercy: An Interview With Hisayasu Sato

Escape 3: An Interview with Hisayasu Sato

Revenge in S&M: An Interview with Hisayasu Sato

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3

I'm Being Watched: An Interview with Hisayasu Sato

Lost in the Bedroom: An interview with Kyôko Nakamura

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato

Autumn

Japanscope, panorama de la nouvelle Nouvelle Vague

Cross the Lens

Tokyo Elegy

I Stand Alone - SEX & LOVE

Chikan densha: Iyarashii kôi

Cruising Love Story

Groper Train: Start at the Back

Groper Train: Final Stop

Zetsukin gyaru: Yaruki munmun

Wakazuma Misshitsu Bôkô Jiken

Pink Physical Examination

Female Prisoners: Brutal Treatment

Hometown Porn Girl 18! Seeding Festival

Delivery Wife: Get Wet!

Crying Rope, Missing Black Hair

Young Wife Assault Pervert

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